I grew up amidst the rolling Waldviertel hills with their fields and patches of trees, rivers, and woods. The countryside has a slow-motion way of rolling away to the horizon. It instills a feeling for the dignity, weight, and inertia of the primary rock formation you are standing on. Rest your gaze on these bedrock hills, and you will begin to move along to the soft, smooth, measured flow of these meadows and woodlands. There was Catholicism, Gregorian chants, Soviet news-reel propaganda films. Listening to the radio and browsing through bookstores, I came across a different life in far away places, which was based on a different rhythm.
“Going Straight”: Camera Work as Men’s Work in the Gendering of American Photography, 1900-1923
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Skip to Content. She'd never say a word — she'd just listen and then suddenly you'd look up and she'd be gone. She was the only woman who was ever in our little group. Largely determined by various separations and modulations of light and dark, the primal association of the camera's pictures become all the more pronounced when photography's self-consciousness and voyeurism, both inherent in the Fall, are kept in mind.