Four prepared pianos, mechanized sound objects, several record-player and audio-tape installations, twelve modified television sets, a freshly slaughtered ox head, etc. Because there is no video technology available in , the cameraman Edo Jansen films distorted television images from a screen. The film is reedited in and copied onto a video format. In Understanding Media , his best-known work, McLuhan proposes that the medium itself needs to be examined and not the subject matter it conveys, encapsulated in the motto: The medium is the message.

Highest Rated Movies and TV Shows With Jacqueline Scott



Ereignisse – Ludwig Forum für internationale Kunst
Terminator 2: Sign in. Stoney helps a pregnant old friend find her husband whom she thinks has been wandering with different rodeos for the last six months. Leonard J. Horn Stars: A filmed series of one-hour dramatizations of the lives of famous historical people, as well as important historical events. Gerard agrees to work with Kimble for 24 hours to prove his innocence, because someone who may have been there when his wife was killed, posted bail for the one-armed man.


The Outer Limits The Keeper of the lila Twilight Figure adac5whbn5971-TV & Videospiele
This database was created in and has been developed and curated by Barbara Flueckiger , professor at the Department of Film Studies, University of Zurich to provide comprehensive information about historical film color processes invented since the end of the 19th century including specific still photography color technologies that were their conceptual predecessors. In the University of Zurich and the Swiss National Science Foundation awarded additional funding for the elaboration of this web resource. In addition, the Institute for the Performing Arts and Film, Zurich University of the Arts provided a major contribution to the development of the database.

This database was created in and has been developed and curated by Barbara Flueckiger , professor at the Department of Film Studies, University of Zurich to provide comprehensive information about historical film color processes invented since the end of the 19th century including specific still photography color technologies that were their conceptual predecessors. In the University of Zurich and the Swiss National Science Foundation awarded additional funding for the elaboration of this web resource. In addition, the Institute for the Performing Arts and Film, Zurich University of the Arts provided a major contribution to the development of the database. Many further persons and institutions have supported the project, see acknowledgements.